2007年12月31日星期一
Are You Coming Over For Christmas?
一年没有新动作的belle & sebastian 在岁末总算有了一首圣诞歌曲,好歹也是个交代。似乎请了不少人帮忙呢,比如:
客串演唱:Celia Garcia
低音提琴:Dave McGowan,
萨克斯与单簧管:James Swinburne
竖琴:Helen Macleod.
听听看:
下载
下面是官方说明:(小样是不是一年多没交代才整的这出啊?)
Hi folks,
We mentioned in our last news update that there was a Christmas song in the making, and as promised you can now listen to the track on the b&s website home page and on our Myspace page. As a special Christmas treat you'll also be able to download the track "Are You Coming Over For Christmas" for free on our Myspace page From midnight on Christmas eve until Midnight on Christmas night.
On that very festive note, we'd like to thank you for all your kind letters and emails and continuing support and wish you all a very Merry Christmas and Happy New Year!
Best Wishes
2007年12月25日星期二
Sounds of Winter
这个中部城市的冬天有其独特的潮湿与寒冷。我由不习惯到渐渐习惯并开始有点喜欢,说不上是什么改变了我。晚上一个人对着电脑发呆,耳边一首接着一首的传过一些声响。外面应该很热闹。我不参与。
在线听:
1.Wrong
The Morning Stars
You Can't Change The World
Genre:britpop
一只以Beatles为第一影响者的新乐队,来自加拿大的汉密尔顿。很吉他,很英式。选的这首曲子很是朗朗上口而且动听。我是旋律型耳朵,我得承认.
2.Printemps Emeraude
Alcest
Souvenirs D'un Autre Monde
Genre:post-rock,black-metal
其实要判定他们的风格不是一件太容易的事,尤其在这张专辑中,漂亮清亮的吉他和爆炸音墙的riff很容易和postrock扯上关系,然而又有人说他们是metal.但这又有什么关系,在主唱轻声吟唱中,一个优美而沉溺的世界早已将我包围,哪里有什么心思去考究什么genre.
3.Hyperschlieb
Epo-555
Mafia
Genre:indie-rock,electronica
自丹麦哥本哈根,近年来发展势头不错.这首曲子多多少少也有些post-rock的味道,但对我而言,亲和力的人声加趣味性的小电才是其魅力所在.
4.Rain In The Ashtray
Mooncake
More Oxygen, I Said...
Genre:post-rock
又是一只来自俄罗斯的后摇,和everything is made in China一样,咋都要和中国扯上点关系呢?虽然是EP,但是不难看出他们的才华与野心.高潮部分很容易让我想起当年的天爆.
5.samskeyti
Sigur Ros
Hvarf/Heim
Genre:post-rock
一年过去总得有点反应,结果就等来一张未发行+老歌现场.有人骂了,哀伤个大头鬼啊,就整天在那里UUUU....的.这张是没多大听头,但这一首钢琴+小提琴的合奏还是让我动容了一下下的.西瓜肉丝的同学们,下次交差麻烦敬业点.
6.When You Were Pearls
The Bridal Shop
Bay The Moon
Genre:shoegaze
自赏风潮早已过去,但每年还是有很多新晋乐队走这条路子,致敬抑或怀念早已不再重要,在这个后摇泛滥的年代里,多出点不一样的声音才是正经事.那啥,伟人不是说过,文艺界要百花齐放嘛!
7.30 age love
DJ ++
Genre:drum&bass
来自国内专营drum&bass的厂牌电气工程(Electric Engineering).支持支持.信息了解的不多,他们的试听曲我都听过,用心劲儿让人佩服.
8.Coloring The Void
M83
Digital Shades Vol.1
Genre:ambient,dream-pop
m83的套路很老,听多了会烦的.这首曲子也一样,初听很是惊艳,但是多了就没意思了.只图耳朵一时的享受.
9.Rugla
Amiina
Kurr
Genre:post-rock
依然来自冰岛,很清新,很小巧.这首曲子充满着孩提的梦幻与冰凉的气息.我那闪闪发光的岛,总有一天我会用拇指去丈量你的冰火交融的土地.
10.Pizza Tintin
Epo-555
Mafia
Genre:indie-rock,electronica
人声一出来我就笑了.独立气息迎面而来.小电很出彩.
11.A Three Legged Workhorse
This Will Destroy You
This Will Destroy You
Genre:post-rock
绝对值得一听的新砖.他们是越做越好了.曲子一开始就有足够的吸引力让我沉溺.听后摇的一大乐趣之一就是在反复与渐强之中体会行将高潮的那种欲罢不能的快感.他们,足够让你达到高潮.感谢亲爱的驴子,让我们在发行之前得以听到.
12.Birthday Resistance
World's End Girlfriend
Hurtbreak Wonderland
Genre:post-rock
这张专辑在硬盘里存了老久了,一直没心思听.前一向偶尔点到便爱不释耳.东方人特有的细腻在这一张中一览无遗.已经厌倦了吉他+电声的苦大仇深似的后摇?不妨听听他们,绝对会让你耳中一亮.沉迷萨克斯.
13.Dear Jane
Jane Zhang
Dear Jane
Genre:pop
The one和update还没有让我想买的冲动,但这张EP,就冲这一首dear jane,买了也值了.靓颖的路子就应朝这里发展.放弃所谓的靓式苦情歌吧!
PS:这次的封面设计很漂亮,我HC了很久.
在线听:
1.Wrong
The Morning Stars
You Can't Change The World
Genre:britpop
一只以Beatles为第一影响者的新乐队,来自加拿大的汉密尔顿。很吉他,很英式。选的这首曲子很是朗朗上口而且动听。我是旋律型耳朵,我得承认.
2.Printemps Emeraude
Alcest
Souvenirs D'un Autre Monde
Genre:post-rock,black-metal
其实要判定他们的风格不是一件太容易的事,尤其在这张专辑中,漂亮清亮的吉他和爆炸音墙的riff很容易和postrock扯上关系,然而又有人说他们是metal.但这又有什么关系,在主唱轻声吟唱中,一个优美而沉溺的世界早已将我包围,哪里有什么心思去考究什么genre.
3.Hyperschlieb
Epo-555
Mafia
Genre:indie-rock,electronica
自丹麦哥本哈根,近年来发展势头不错.这首曲子多多少少也有些post-rock的味道,但对我而言,亲和力的人声加趣味性的小电才是其魅力所在.
4.Rain In The Ashtray
Mooncake
More Oxygen, I Said...
Genre:post-rock
又是一只来自俄罗斯的后摇,和everything is made in China一样,咋都要和中国扯上点关系呢?虽然是EP,但是不难看出他们的才华与野心.高潮部分很容易让我想起当年的天爆.
5.samskeyti
Sigur Ros
Hvarf/Heim
Genre:post-rock
一年过去总得有点反应,结果就等来一张未发行+老歌现场.有人骂了,哀伤个大头鬼啊,就整天在那里UUUU....的.这张是没多大听头,但这一首钢琴+小提琴的合奏还是让我动容了一下下的.西瓜肉丝的同学们,下次交差麻烦敬业点.
6.When You Were Pearls
The Bridal Shop
Bay The Moon
Genre:shoegaze
自赏风潮早已过去,但每年还是有很多新晋乐队走这条路子,致敬抑或怀念早已不再重要,在这个后摇泛滥的年代里,多出点不一样的声音才是正经事.那啥,伟人不是说过,文艺界要百花齐放嘛!
7.30 age love
DJ ++
Genre:drum&bass
来自国内专营drum&bass的厂牌电气工程(Electric Engineering).支持支持.信息了解的不多,他们的试听曲我都听过,用心劲儿让人佩服.
8.Coloring The Void
M83
Digital Shades Vol.1
Genre:ambient,dream-pop
m83的套路很老,听多了会烦的.这首曲子也一样,初听很是惊艳,但是多了就没意思了.只图耳朵一时的享受.
9.Rugla
Amiina
Kurr
Genre:post-rock
依然来自冰岛,很清新,很小巧.这首曲子充满着孩提的梦幻与冰凉的气息.我那闪闪发光的岛,总有一天我会用拇指去丈量你的冰火交融的土地.
10.Pizza Tintin
Epo-555
Mafia
Genre:indie-rock,electronica
人声一出来我就笑了.独立气息迎面而来.小电很出彩.
11.A Three Legged Workhorse
This Will Destroy You
This Will Destroy You
Genre:post-rock
绝对值得一听的新砖.他们是越做越好了.曲子一开始就有足够的吸引力让我沉溺.听后摇的一大乐趣之一就是在反复与渐强之中体会行将高潮的那种欲罢不能的快感.他们,足够让你达到高潮.感谢亲爱的驴子,让我们在发行之前得以听到.
12.Birthday Resistance
World's End Girlfriend
Hurtbreak Wonderland
Genre:post-rock
这张专辑在硬盘里存了老久了,一直没心思听.前一向偶尔点到便爱不释耳.东方人特有的细腻在这一张中一览无遗.已经厌倦了吉他+电声的苦大仇深似的后摇?不妨听听他们,绝对会让你耳中一亮.沉迷萨克斯.
13.Dear Jane
Jane Zhang
Dear Jane
Genre:pop
The one和update还没有让我想买的冲动,但这张EP,就冲这一首dear jane,买了也值了.靓颖的路子就应朝这里发展.放弃所谓的靓式苦情歌吧!
PS:这次的封面设计很漂亮,我HC了很久.
2007年12月6日星期四
格拉斯高-12年梦旅人
写Belle&Sebastian是一件很吃力不讨好的事.一方面他们在独立音乐乐迷圈中算是很大牌,可谓耳熟能详,这就意味我能杜撰的空间几乎没有.另一方面,要找到准确形容他们的词句绝非易事,而我又不想把此文变成乐队发迹史般的碎碎念(感兴趣的大可以看下面的翻译文章).可是转眼2008就要来了,当初那个还有些青涩的声音如今也快要宅御12年了,不表示一下实在有些说不过去.
第一次接触到他们是音乐天堂出的一个合辑,断弦的耳朵(相信很多人都是听着这一系列开始了独立音乐的探索旅程),选得是2000年的Fold Your Hands Child, You Walk Like a Peasant里的I faught in a war,事实证明让这支曲子作为接触B&S的第一首是明智的,因为它好听,旋律优美,可以让从没有接触过另类音乐的人第一时间接受,而且有足够的魅力让你忍不住穷尽各种办法找出乐队的其他歌曲,事实上我也是那么做的.那阵上网不是很方便,用驴子拖Discography明显不现实--好在有着名的百度mp3.
初一遍听下来有些失望,除了我认为风格明显不搭调而断定下错了的那一首之外(即the blues are still blue,2006年转型之作the life persuit里的一首),其余的都很稀松平澹,没有什么特别能俘获我的地方.又是一曲打天下的主吧,我当时这样想.这样他们一直沉默的在我mp3里呆了一个月.
有人说别过分依赖第一印象,那往往不甚靠谱.对我而言尤为如此.当年在听了某人的U2带后,很是尖酸刻薄的讽刺了一番,而后来U2竟成了我的摇滚入门乐队.B&S也逃脱不了这样的命运.想必各位已经猜到,在某个百无聊赖的夜晚,某石突然心血来潮的准备再听一下沉默了一月之久的Belle&Sebastian,然后竟然发现好好听,然后疯狂的爱上有关他们的一切.是的,很无趣是么?可事实就是如此.特别是the fox in the snow,我连着听了十来多遍.主唱有些苍白脆弱的声线让我遁形,无法言语.细细听,让我忽略掉的简单的吉他构建的世界却仿佛专门为我描绘一般,看见某个单纯的下午和隐秘的几近消失的秘密.
那阵子只是单纯的从听觉感受出发,对于Staurt喃喃自语的什么倒没太在意.事实证明我的忽略是一个严重的可惜.听到fox一年之后我才在机缘巧合之下看到了歌词.我忍住自己的鼻头没让某些令人脸红的事件发生,可是人总有脆弱的一面不是,我不能强为了保全自己的面子而不去承认当时真的有种想落泪的冲动.
后来我便开始重点关注他们的词作,发现B&S的词作绝对不输于他们的编曲,某种意义上讲,他们的独树一帜恰恰表现在与众不同的文字表达上.因为indie-pop乐队如此之多,编曲优美的一拎就是一大把,好听固然好听,但也很容易浮泛流于表面,所以尽管indie音乐崇尚独立的态度,同质化的现象却也日趋严重,国外则是千篇一律的mojave 3,国内则是一把纤细如陈绮贞张悬似的女声嗓音.可以这么说,若你只关注B&S的音乐编曲,很容易就会把他们湮没在一望无际的汪洋indie大潮中.B&S的魅力起码有一半是因为他们的词作有着触及人心的力量.
很多时候我会突然想起儿时的某个奇思妙想并为此惊叹感慨半天,因为现实中我会不自觉的忽视掉周遭孩子们的存在,无论是从外在个体还是精神层面上。事实上,回想起自己的童年,并非只是一个模煳的事件日历,不时出现在我脑子里的反而是一些如今看起来并不幼稚的认知。有人说不要低估任何一个人的存在意义,我想这个范围还应该扩大到孩子的身上,因为往往最容易忽视的就是他们。Belle&Sebastian的出发点正是基于孩子的内心世界,用一些稍微意识流的语言描述并不十分纯真的孩子的感官占据了他们歌曲创作的一大部分。引用别人的话来说就是,”这些歌曲通常有着幻梦忧郁甚至自溺的色彩,在美好旋律以及不时冒出的狡黠的灵感和雅致的幽默感的衬映下显得那么的优美而又无奈。“
在西方流行音乐史上,12年对于一支乐队并不算长,然而却是乐队开始迈进经典的一个重要转折点。或许经典这个词并不适用于Belle&Sebastian,他们永远会和音乐商业工厂小心翼翼的保持一定的距离,因此他们不需要用经典来证明他们的商业价值。孩子总会长大,B&S也会面临风格的转变。2006年的那张转型之作并不为大多数很早以前就喜欢上他们的乐迷所接受,从心底而言我还是希望他们能延续以前的风格。但是变不变又有什么关系,至少他们已经和全世界敏感而善良的人分享了12年的梦幻旅程。这12年,足够我们用一生去回味和感动了。
本期广播选了我喜欢的12首B&S的歌。
LIST:
Another Sunny Day
Sleep the Clock Around
Like Dylan in the Movies
The Fox in the Snow
Get Me Away From Here I'm Dying
We Are The Sleepy heads
The Rollercoaster Ride
The State I Am In
Electronic Renaissance
We Rule The School
My Wandering Days
I Don't Love Anyone
在线听:
Update:(2008.12.3)
1.新增LRC歌词下载:
lyrics-of-bs.rar
2.更换了歌曲服务器和播放器。应该会更加稳定了。
2007年12月1日星期六
基于wordpress的yo2建博手记
之前在blogbus上准备新开一个博,大体框架都搭建的差不多了,可是,昨天晚上发表我翻译的文章的时候,出现了很多让我头疼的问题。
首先是网络,本来BUS的自动保存应该是一个挺不错的功能,可是我这小区的网络稳定性实在是差的可以,经常会发生无法连接的状况,这时候BUS的文档编辑就会处于假死的状态,什么都做不了。于是乎,本来应该很简单的剪切-复制-排版我愣是做了半个钟头才算完毕。其次,我那篇文章勉强算一篇长文,好不容易发表后,BUS竟然自动把后一半给我截掉了。起初我以为是自己编辑的问题,于是折回去吐血忍受假死状态重新编辑,发现还是只有一半,无奈之下一篇文章楞生生的给我分了三篇出来。(点这查看)愤愤之下准备弃BUS重找新址。
在豆瓣Blogger小组看到有人推荐yo2,wordpress平台的。之前也试过其他的wordpress平台的BSP,汉化程度那叫一个惨不忍睹,基本上如果不看域名我就以为是国外的了。申请到yo2的帐号后,乍一看后台操作还挺像那么一回事(后来的体验么...哎!),于是准备就在这里安营扎寨了。
发表了一篇文章之后,搭建工作正式开始。
首先是选模板,第一次选了个绿色主题,可是侧边栏的作者说明和博客说明无法更改,而且也不支持对blogroll的标签化分栏操作,放弃。心里郁闷的紧(我这人向来这样,做事只有三分钟热度),于是胡乱的点别人的blog看。这一点不要紧,我才发现名博们,诸如三表兄,keso,和菜头,感情都在用wordpress。研究了一下,觉得三表兄的样式过于朴素,而keso得颜色系又不是我所喜欢的,比较起来,袁大头的样式最和我意。正好yo2提供了这样的模板,省得我再去google之。
第二步,修改侧边栏的blogroll。好在这个模板支持对blogroll的标签分栏操作,于是分别添加了blog,coolsite与categories栏(WP的好处之一就在于把文章和blogroll的标签统一化了,也就是说,它们之间可以混用)。这样下来,侧边栏充实了不少,可是离想象的还差很多。其中一条就是没有RSS订阅栏,在feedsky已经生成了RSS订阅的CSS,起初加在了侧边栏模板编辑里面,效果很是不好,左侧无法对齐。万般无奈之下我想出了一个笨办法,还是在blogroll里面,新建一个RSS的标签,贴上各feed服务商的订阅地址,然后采用图片描述,这样一来,完满的解决了左侧无法对其的问题。(后来才发现根本用不着,启用侧边栏插件后,加一个文本粘上CSS就可以搞定了!不过,还是要为我的笨办法喝彩一下!)
下一步,就是启用插件,进一步美化侧边栏了。首先少不了的就是侧边栏管理插件了,这个插件真的很管用,除去自带的诸如日历,mp3播放器,标签云等等功能,它还允许你自定义侧边栏,只要新建一个文本,贴上CSS或者JAVASCRIPT代码就可以了(my douban show就是这样做成的)。美中不足的是撤销区块时很不好操作,起初我以为无法撤消,后来发现得在“可用的侧边栏区块”中留有空处方能移除你不想要的区块。这算是一个BUG吧,希望yo2团队能对这个插件作出修改。
然后就要添上contact栏了,E-mail Icon Generator提供生成邮箱图标服务,很是方便。我发现甚至连sina的邮箱都可以生成,OMG,看来国人对这些小东西还真是乐此不疲。
接下来,我的google adsense帐号总算要派上用场啦!相信各位已经看到了google搜索框和google adsense了,废话不多说,还望各位多多搜索,多多点击!
再下来,就要添上mp3了。话说这年头,找一个可外联又稳定的站真是比登天还难。以前试过FS2YOU,可是速度实在不能忍受。然后发现新浪网盘可以直接生成URL,但是地址又会变动。SNAPDRIVE好是好,可是服务器在国外,速度也不行。至于google group么,以前是支持外链的,现在也不支持了。没辙,找不到可上传mp3的稳定空间,只得不光彩的盗链了。辛辛苦苦地盗出了微播的Belle&Sebastian的12首歌的地址,添上去,竟然没反应。照理说微播的速度挺可以的啊!?郁闷了半天,才发现这些歌的格式都是wma的,人家是mp3播放器,自然只支持mp3格式了。实在又不想舍弃这么小巧可爱的播放器而用wmp,那样太不协调了。天无绝人之路,终于被我发现了一个绝好的上传mp3的地方,google page creator,哈哈,100mb的空间随我用,而且没有像google group那样对地址进行保护,速度也是快的没话说。上天保佑GPC不会被神通的GFW再一次和谐掉。(月光博客上说GPC曾被和谐...看来,越是好用的东西,国内就越没法用)。
最后,就要进行必要的汉化了。虽然YO2团队的汉化程度算是挺高了,但模板里很多提示性的语言还是会留下英文的痕迹。我不指望我的博会名扬海内外,所以该汉化的还是要汉化,诸如评论,404错误等等。恼火的是右下角的ABOUT无法更改,因为这要在一个txt文档里进行,我所能作的,只能是在模板里作出改善。朋友们如果发现汉化不彻底的地方,请多多指正。
好了,至此,这个博算是搭建起来了。除去页面经常性的无法打开(不知是不是我这网络问题的缘故)与一些小瑕疵外,对YO2这个平台还是挺满意的,毕竟与国内其他的BSP有很大的不同。那么,以后,石某人就要开始在这里东拉西扯了。
首先是网络,本来BUS的自动保存应该是一个挺不错的功能,可是我这小区的网络稳定性实在是差的可以,经常会发生无法连接的状况,这时候BUS的文档编辑就会处于假死的状态,什么都做不了。于是乎,本来应该很简单的剪切-复制-排版我愣是做了半个钟头才算完毕。其次,我那篇文章勉强算一篇长文,好不容易发表后,BUS竟然自动把后一半给我截掉了。起初我以为是自己编辑的问题,于是折回去吐血忍受假死状态重新编辑,发现还是只有一半,无奈之下一篇文章楞生生的给我分了三篇出来。(点这查看)愤愤之下准备弃BUS重找新址。
在豆瓣Blogger小组看到有人推荐yo2,wordpress平台的。之前也试过其他的wordpress平台的BSP,汉化程度那叫一个惨不忍睹,基本上如果不看域名我就以为是国外的了。申请到yo2的帐号后,乍一看后台操作还挺像那么一回事(后来的体验么...哎!),于是准备就在这里安营扎寨了。
发表了一篇文章之后,搭建工作正式开始。
首先是选模板,第一次选了个绿色主题,可是侧边栏的作者说明和博客说明无法更改,而且也不支持对blogroll的标签化分栏操作,放弃。心里郁闷的紧(我这人向来这样,做事只有三分钟热度),于是胡乱的点别人的blog看。这一点不要紧,我才发现名博们,诸如三表兄,keso,和菜头,感情都在用wordpress。研究了一下,觉得三表兄的样式过于朴素,而keso得颜色系又不是我所喜欢的,比较起来,袁大头的样式最和我意。正好yo2提供了这样的模板,省得我再去google之。
第二步,修改侧边栏的blogroll。好在这个模板支持对blogroll的标签分栏操作,于是分别添加了blog,coolsite与categories栏(WP的好处之一就在于把文章和blogroll的标签统一化了,也就是说,它们之间可以混用)。这样下来,侧边栏充实了不少,可是离想象的还差很多。其中一条就是没有RSS订阅栏,在feedsky已经生成了RSS订阅的CSS,起初加在了侧边栏模板编辑里面,效果很是不好,左侧无法对齐。万般无奈之下我想出了一个笨办法,还是在blogroll里面,新建一个RSS的标签,贴上各feed服务商的订阅地址,然后采用图片描述,这样一来,完满的解决了左侧无法对其的问题。(后来才发现根本用不着,启用侧边栏插件后,加一个文本粘上CSS就可以搞定了!不过,还是要为我的笨办法喝彩一下!)
下一步,就是启用插件,进一步美化侧边栏了。首先少不了的就是侧边栏管理插件了,这个插件真的很管用,除去自带的诸如日历,mp3播放器,标签云等等功能,它还允许你自定义侧边栏,只要新建一个文本,贴上CSS或者JAVASCRIPT代码就可以了(my douban show就是这样做成的)。美中不足的是撤销区块时很不好操作,起初我以为无法撤消,后来发现得在“可用的侧边栏区块”中留有空处方能移除你不想要的区块。这算是一个BUG吧,希望yo2团队能对这个插件作出修改。
然后就要添上contact栏了,E-mail Icon Generator提供生成邮箱图标服务,很是方便。我发现甚至连sina的邮箱都可以生成,OMG,看来国人对这些小东西还真是乐此不疲。
接下来,我的google adsense帐号总算要派上用场啦!相信各位已经看到了google搜索框和google adsense了,废话不多说,还望各位多多搜索,多多点击!
再下来,就要添上mp3了。话说这年头,找一个可外联又稳定的站真是比登天还难。以前试过FS2YOU,可是速度实在不能忍受。然后发现新浪网盘可以直接生成URL,但是地址又会变动。SNAPDRIVE好是好,可是服务器在国外,速度也不行。至于google group么,以前是支持外链的,现在也不支持了。没辙,找不到可上传mp3的稳定空间,只得不光彩的盗链了。辛辛苦苦地盗出了微播的Belle&Sebastian的12首歌的地址,添上去,竟然没反应。照理说微播的速度挺可以的啊!?郁闷了半天,才发现这些歌的格式都是wma的,人家是mp3播放器,自然只支持mp3格式了。实在又不想舍弃这么小巧可爱的播放器而用wmp,那样太不协调了。天无绝人之路,终于被我发现了一个绝好的上传mp3的地方,google page creator,哈哈,100mb的空间随我用,而且没有像google group那样对地址进行保护,速度也是快的没话说。上天保佑GPC不会被神通的GFW再一次和谐掉。(月光博客上说GPC曾被和谐...看来,越是好用的东西,国内就越没法用)。
最后,就要进行必要的汉化了。虽然YO2团队的汉化程度算是挺高了,但模板里很多提示性的语言还是会留下英文的痕迹。我不指望我的博会名扬海内外,所以该汉化的还是要汉化,诸如评论,404错误等等。恼火的是右下角的ABOUT无法更改,因为这要在一个txt文档里进行,我所能作的,只能是在模板里作出改善。朋友们如果发现汉化不彻底的地方,请多多指正。
好了,至此,这个博算是搭建起来了。除去页面经常性的无法打开(不知是不是我这网络问题的缘故)与一些小瑕疵外,对YO2这个平台还是挺满意的,毕竟与国内其他的BSP有很大的不同。那么,以后,石某人就要开始在这里东拉西扯了。
2007年11月29日星期四
Belle & Sebastian
Belle & Sebastian是一支独立流行乐队,1996年一月成立于苏格兰格拉斯高。Belle & Sebastian与诸如The Smiths和Felt这类有影响力的独立乐队有很多共同之处,也受到了北方灵歌(northern soul)与放客(funk)音乐的影响。
在Jeepster Records厂牌下发行了一些专辑和EP之后,他们现在签约于英国的Rough Trade Records厂牌和美国的Matador Records厂牌。
成员
在队成员:
Stuart Murdoch: 1996–至今 (主唱,吉他和键盘)
Stevie Jackson: 1996–至今 (伴唱和吉他)
Chris Geddes: 1996–至今 (键盘)
Richard Colburn: 1996–至今 (鼓)
Sarah Martin: 1997–至今 (小提琴,键盘,吉他和伴唱)
Mick Cooke: 1998–至今 (小号和贝司)
Bobby Kildea: 2001–至今 (吉他和贝司)
前成员:
Isobel Campbell: 1996–2002 (伴唱和大提琴)
Stuart David: 1996–2000 (贝斯)
Kyle Burkett: 2000-2001 (伴唱和吉他)
Andrew Maxson: 2000-2001 (贝斯)
历史
(1996-1997) 组队与成名
在 Stuart Murdoch 遇到男低音 Stuart David之后,Belle & Sebastian于1996年一月在格拉斯高成立了。 他们与Stow 大学的音乐教授Pilar Duplack一起录制了一些demo,这些demo被该大学的音乐商业厂牌收录在以Electric Honey为名义每年发行的一张唱片中。他们创作了一些单曲之后,加之这家厂牌对这些demo印象实在很深,Belle & Sebastian (名字来源于法国作家Cécile Aubry创作的一本儿童读物Belle et Sébastien)便录制了一张完整专辑:Tigermilk。传言说“Belle”是指Isobel (Campbell),“Sebastian”指代Stuart (Murdoch),因为在Isobel 2002年离队之前他们已结婚多年。然而,Stuart Murdoch 否认了这一点。
Tigermilk在三天之内就录好了,一开始只准备了1000张塑胶拷贝盘。这些最开始的拷贝现在已要价400英镑了。到那时,乐队又新增了一些成员,Stevie Jackson (吉他和伴唱), Isobel Campbell (大提琴和伴唱), Chris Geddes (键盘), Richard Colburn (鼓)。
首张专辑成功之后,Belle & Sebastian 于1996年8月签约Jeepster Records。三月之后,第二张专辑If You're Feeling Sinister发行。
在此张专辑录制之前,Sarah Martin (小提琴,伴唱)加入到乐队中。接下来,在1997年他们发行了一系列的EP。这些EP的第一张是Dog on Wheels,其中包含了正式组队前录制的四首小样。实际上,演奏这些歌曲的长期队员只包括Murdoch, David, and Mick Cooke ,后者在当时表演小号,而且几年之后才正式入队。此张EP在英国流行榜上排到了第59名。
接下来,EP Lazy Line Painter Jane 在七月发行.。这张EP在一个教堂里录制,并邀Monica Queen献声。可惜的是,这张EP差一点就进入了UK榜前40,排到了第41名。1997年的最后一张EP是发行于十月的3.. 6.. 9 Seconds of Light。此EP同时被NME和Melody Maker列为每周一歌,而且一度达到了第32名,因此也成为乐队的首个40大歌曲。
(1998-2002) 在Jeepster厂牌下继续取得成功
1998年专辑 The Boy with the Arab Strap 发行,排到了UK专辑榜的第12名。专辑录制过程中,小号手Mick Cooke被邀正式进队。发行这张专辑不久,乐队就在全音音乐奖(BRIT Awards)上获得最佳新晋乐队奖,打败了竞争对手Steps。接下来乐队又发行了EPThis Is Just a Modern Rock Song。
1999年,乐队主办了他们自己的音乐节,Bowlie Weekender。在乐队开始准备下一张唱片时,Tigermilk也由Jeepster发行了完整版本。新专辑叫做Fold Your Hands Child, You Walk Like a Peasant,这也成为乐队的首张UK榜前10专辑。未收录的一只单曲Legal Man排到了15名,而且也使得他们首次在Top of the Pops中亮相。
随着乐队的知名度在世界范围内的提高,他们的音乐开始频频的出现在电影和电视中。2000 年的一部电影High Fidelity 提到了乐队的名字并且穿插了专辑The Boy with the Arab Strap 中的一首歌Seymour Stein 的片段。开始与2001年的英国剧集Teachers 在许多场景中都用到了他们的音乐,包括主题曲。
Stuart David 不久离开了乐队并开始专注于他的个人计划Looper和他的书籍,后者包括了The Idle Thoughts of a Daydreamer. Stuart David的位置由V-Twin的Bobby Kildea 替代。单曲Jonathan David(Stevie Jackson演唱)于2001年七月发行,紧接着乐队又在九月发行了I'm Waking Up to Us。这首曲子貌似描述了Murdoch和Campbell关系的破裂,但Murdoch 在2006年的专辑The Life Pursuit中的文案里否认了这一点。EP"I'm Waking Up to Us"中,乐队首次起用了海外制作人Mike Hurst。2002年的大部分时间里乐队都在巡演并且录制了一张原声带,Storytelling (由Todd Solondz执导的Storytelling原声). Isobel在2002年北美巡演中途宣布离队。
(2003-至今) Rough Trade厂牌下的发展
乐队在2002年离开Jeepster并签约了Rough Trade Records.。B&S在2003里完成了专辑Dear Catastrophe Waitress,由 Trevor Horn制作。这张专辑与前四张专辑相比,后期制作的成分加重了。一部记录性质的DVD, Fans Only在2003年十月由Jeepster发行,包括了增加的视频,现场片段和未发行的电影剪辑。取自专辑Catastrophe Waitress中的一首Step into My Office, Baby在2003年11月发行,而这将成为他们第一首取自专辑的单曲EP。
I'm a Cuckoo成为取自专辑的第二首单曲, 和以前的那些单曲EP相比,在电台的播放频率大大增加。而这也成为他们排名最高的一首单曲——排到了UK榜的第14名。EPBooks 随之发行, a double A-side single lead by "Wrapped Up in Books" From Dear Catastrophe Waitress and the new "Your Cover's Blown".这张EP成为乐队的第三首TOP20,与此同时,乐队同时被Mercury Music Prize 和Ivor Novello Award提名。2005年一月, B&S在由The List发起的一次投票中被选为苏格兰最伟大的乐队,打败了Simple Minds, Idlewild, Travis, Franz Ferdinand和 The Proclaimers。
2005年四月,乐队成员跟随英国慈善组织War on Want到访了以色列和巴勒斯坦。随后,乐队录制了由此次旅程所激发的一首歌曲The Eighth Station of the Cross Kebab House,而这后来成为2006年发行的一张B-side 专辑Funny Little Frog中的一首歌。.Push Barman to Open Old Wounds, 这是一张于2005年五月由Jeepster发行的单曲EP合辑,当时乐队正在加州录制他们的第七张专辑。The Life Pursuit成为他们的新专辑,由Tony Hoffer担当制作人。在2006年2月发行后,该张专辑成为他们排名最高的一张,UK榜排到第8,美国Billboard 200榜排到第65位。之前发行的Funny Little Frog也成为他们最高的单曲排名歌曲——第13名。
2006年6月,乐团与洛杉矶交响乐团合作,在好莱坞露天剧场进行了一次历史性的表演。18000张门票销售一空,开场暖场乐队是The Shins,该乐队的成员将之看作标志性的事件,用Stevie Jackson的话来讲就是“人生中最震撼的时刻。”
2006年10月,乐团成员参与了一张名为Colours Are Brighter的为孩子们准备的专辑的制作, Franz Ferdinand 和 The Kooks也参与其中。
乐团计划发表一张在1996至2001年表演的Radio One sessions的集结。
个人发展
The Gentle Waves (Isobel Campbell)
Looper (Stuart David)
The Reindeer Section (Richard Colburn, Mick Cooke and Bobby Kildea)
V-Twin (Bobby Kildea)
The Moondials (Stevie Jackson)
分类目录
专辑
Tigermilk (1996)
If You're Feeling Sinister (1996)
The Boy with the Arab Strap (1998)
Fold Your Hands Child, You Walk Like a Peasant (2000)
Storytelling (2002)
Dear Catastrophe Waitress (2003)
The Life Pursuit (2006)
现场专辑
If You're Feeling Sinister: Live at the Barbican (2005)
合集
Lazy Line Painter Jane (boxset) (2000)
Push Barman to Open Old Wounds (2005)
Late Night Tales: Belle & Sebastian (2006)
单曲和EP
Dog on Wheels (1997)
Lazy Line Painter Jane (1997)
3.. 6.. 9 Seconds of Light (1997)
This Is Just a Modern Rock Song (1998)
"Legal Man" (2000)
"Jonathan David" (2001)
"I'm Waking Up to Us" (2001)
"Step into My Office, Baby" (2003)
"I'm a Cuckoo" (2004) Books (2004)
"Cassaco Marron" (2006)
"Funny Little Frog" (2006)
"The Blues Are Still Blue" (2006)
"White Collar Boy" (2006)
其他歌曲收集
"O Come, O Come, Emmanuel" (trad. cover) on the Xfm charity compilation It's A Cool, Cool Christmas, released November 20, 2000 on Jeepster Records
"Final Day" (Young Marble Giants cover) on the Rough Trade 25th-anniversary compilation Stop Me If You Think You've Heard This One Before, released September 23, 2003 on Rough Trade Records
"Poupée de cire, poupée de son" (live Serge Gainsbourg cover) on the Fans Only DVD, released October 20, 2003 on Jeepster Records
"The Eighth Station of the Cross Kebab House" on the War Child charity album Help: A Day in the Life, released September 9, 2005 on Independiente Records
"Cassaco Marron" (Trio Esperança cover) on the Belle & Sebastian-compiled album Late Night Tales: Belle & Sebastian, released on February 27, 2006 on Azuli Records, and as a limited-edition 7-inch vinyl single (b/w David Shrigley's spoken-word piece
"When I Was a Little Girl") released February 13, 2006, also on Azuli
"The Monkeys Are Breaking Out the Zoo," a children's song on the Save the Children charity album Colours Are Brighter, released October 16, 2006 on Rough Trade Records
DVDs
Fans Only(2003)
书籍
Belle & Sebastian: Just a Modern Rock Story by Paul Whitelaw (biography of band featuring contributions From all members, past and present, with a cover designed by Stuart Murdoch), 2005
Put the Book Back on the Shelf: A Belle and Sebastian Anthology (compilation of comics based on individual B&S songs), 2006
原文
History
(1996-1997) Formation and rise
Belle & Sebastian were formed in Glasgow, January 1996, when Stuart Murdoch met bassist Stuart David. Together they recorded some demos with Stow College music professor Pilar Duplack, which were picked up by the college's Music Business course that produces and releases one single each year on the college's label, Electric Honey. As the band had a number of songs already and the label were extremely impressed with the demos, Belle & Sebastian (named after Belle et Sébastien, a children's book by French writer Cécile Aubry) were allowed to record a full-length album: Tigermilk. It was rumoured that "Belle" referred to Isobel (Campbell) and "Sebastian" to Stuart (Murdoch), as they were a couple for several years before Isobel left the band in 2002. However, Stuart Murdoch has said this is untrue.
Tigermilk was recorded in three days and originally only one thousand copies were pressed on vinyl. These original copies now sell for up to £400. By this time, the band had expanded to feature Stevie Jackson (guitar and vocals), Isobel Campbell (cello/vocals), Chris Geddes (keys) and Richard Colburn (drums).
After the success of the debut album, Belle & Sebastian were signed to Jeepster Records in August 1996 and If You're Feeling Sinister, their second album, was released three months later.
Just before the recording of Sinister, Sarah Martin (violin/vocals) joined the band. Following this, in 1997, a series of EPs were released. The first of these was Dog on Wheels, and it contained four demo tracks recorded before the real formation of the band. In fact, the only long-term band members to play on the songs were Murdoch, David, and Mick Cooke, who played trumpet on the EP but would not officially join the band until a few years later. It charted at a modest #59 in the UK singles chart.
The Lazy Line Painter Jane EP followed in July. The track was recorded in a church hall and features vocals From Monica Queen, and narrowly missed out of the UK top 40, peaking at #41. The last of the 1997 EPs was October's 3.. 6.. 9 Seconds of Light. The EP was made Single of the Week in both the NME and Melody Maker and reached #32 in the charts, thus becoming the band's first top 40 single.
(1998-2002) Continued success on Jeepster
1998's The Boy with the Arab Strap album followed, and reached #12 in the UK charts. During the recording of the album long time studio trumpet-player Mick Cooke was asked to join the band as a full member. Shortly after the release of the album the band were awarded with Best Newcomer (for their third album) at the BRIT Awards, beating competition From Steps. The This Is Just a Modern Rock Song EP followed.
In 1999, the band hosted their own festival, the Bowlie Weekender. Tigermilk was also given a full release by Jeepster before the band started work on their next LP. The result was Fold Your Hands Child, You Walk Like a Peasant, which became the band's first top 10 album in the UK. A stand-alone single, "Legal Man", reached #15 and gave them their first appearance on Top of the Pops.
As the band's popularity and recognition was growing worldwide, their music began appearing in films and on television. The UK television series Teachers The 2000 film High Fidelity mentions the band and features a clip From the song "Seymour Stein" From The Boy with the Arab Strap. The UK television series Teachers which began airing in 2001 used Belle & Sebastian's music for several scenes in the show, including the theme music.
Stuart David soon left the band to concentrate on his side-project, Looper, and his book writing, which included his The Idle Thoughts of a Daydreamer. He was replaced by Bobby Kildea of V-Twin. The "Jonathan David" single — sung by Stevie Jackson — was released in June 2001 and was followed by "I'm Waking Up to Us" in November. The latter appears to describe Murdoch's relationship and breakup with Campbell, but Murdoch denied this in the sleeve notes to 2006's The Life Pursuit. "I'm Waking Up to Us" saw the band use an outside producer (Mike Hurst) for the first time. Most of 2002 was spent touring and recording a soundtrack album, Storytelling (for Storytelling by Todd Solondz). Isobel announced her departure From the band midway through their 2002 North American tour.
(2003-present) Rough Trade
The band left Jeepster in 2002 and signed with Rough Trade Records. B&S completed their album Dear Catastrophe Waitress in 2003, produced by Trevor Horn. The album showed a markedly more 'produced' sound compared to their first four LPs. A documentary DVD, Fans Only, was released by Jeepster in October 2003, featuring promotional videos, live clips and unreleased footage. A single From Catastrophe Waitress, "Step into My Office, Baby" followed in November 2003 — it would be their first single/EP taken From an album.
"I'm a Cuckoo" was the second single From the album, and picked up more radio play than any previous single or EP. It achieved their highest chart position yet, reaching #14 in the UK. The Books EP followed, a double A-side single lead by "Wrapped Up in Books" From Dear Catastrophe Waitress and the new "Your Cover's Blown". This EP became the band's third top 20 UK release and the band went on to be nominated for both the Mercury Music Prize and an Ivor Novello Award. In January 2005, B&S was voted Scotland's greatest band in a poll by The List, beating Simple Minds, Idlewild, Travis, Franz Ferdinand, and The Proclaimers, among others.
In April 2005, members of the band visited Israel and the Palestinian territories with the UK charity War on Want; the group subsequently recorded a song inspired by the trip titled "The Eighth Station of the Cross Kebab House", which would later be released as a B-side on 2006's "Funny Little Frog" single. Push Barman to Open Old Wounds, a compilation of the Jeepster singles and EPs, was released in May 2005 while the band were recording their seventh album in California. The result of the sessions was The Life Pursuit, produced by Tony Hoffer. The album became their band's highest charting release to date upon its release in February 2006, peaking at #8 in the UK and #65 on the US Billboard 200. "Funny Little Frog", which preceded it, also proved to be their highest charting single, reaching #13.
On July 6, 2006, the band played a historic show with the Los Angeles Philharmonic at the Hollywood Bowl. The opening act at this 18,000 seat sell-out concert was The Shins. The members of the band see this as a landmark event, with Stevie Jackson describing the gig as "the thrill of a lifetime".
In October 2006, members of the band helped put together a CD collection of new songs for children titled Colours Are Brighter, with the involvement of major bands such as Franz Ferdinand and The Kooks. A more detailed video report From STV is available here.
The group has been planning to release a compilation of their Radio One sessions that they had performed between 1996-2001.
在Jeepster Records厂牌下发行了一些专辑和EP之后,他们现在签约于英国的Rough Trade Records厂牌和美国的Matador Records厂牌。
成员
在队成员:
Stuart Murdoch: 1996–至今 (主唱,吉他和键盘)
Stevie Jackson: 1996–至今 (伴唱和吉他)
Chris Geddes: 1996–至今 (键盘)
Richard Colburn: 1996–至今 (鼓)
Sarah Martin: 1997–至今 (小提琴,键盘,吉他和伴唱)
Mick Cooke: 1998–至今 (小号和贝司)
Bobby Kildea: 2001–至今 (吉他和贝司)
前成员:
Isobel Campbell: 1996–2002 (伴唱和大提琴)
Stuart David: 1996–2000 (贝斯)
Kyle Burkett: 2000-2001 (伴唱和吉他)
Andrew Maxson: 2000-2001 (贝斯)
历史
(1996-1997) 组队与成名
在 Stuart Murdoch 遇到男低音 Stuart David之后,Belle & Sebastian于1996年一月在格拉斯高成立了。 他们与Stow 大学的音乐教授Pilar Duplack一起录制了一些demo,这些demo被该大学的音乐商业厂牌收录在以Electric Honey为名义每年发行的一张唱片中。他们创作了一些单曲之后,加之这家厂牌对这些demo印象实在很深,Belle & Sebastian (名字来源于法国作家Cécile Aubry创作的一本儿童读物Belle et Sébastien)便录制了一张完整专辑:Tigermilk。传言说“Belle”是指Isobel (Campbell),“Sebastian”指代Stuart (Murdoch),因为在Isobel 2002年离队之前他们已结婚多年。然而,Stuart Murdoch 否认了这一点。
Tigermilk在三天之内就录好了,一开始只准备了1000张塑胶拷贝盘。这些最开始的拷贝现在已要价400英镑了。到那时,乐队又新增了一些成员,Stevie Jackson (吉他和伴唱), Isobel Campbell (大提琴和伴唱), Chris Geddes (键盘), Richard Colburn (鼓)。
首张专辑成功之后,Belle & Sebastian 于1996年8月签约Jeepster Records。三月之后,第二张专辑If You're Feeling Sinister发行。
在此张专辑录制之前,Sarah Martin (小提琴,伴唱)加入到乐队中。接下来,在1997年他们发行了一系列的EP。这些EP的第一张是Dog on Wheels,其中包含了正式组队前录制的四首小样。实际上,演奏这些歌曲的长期队员只包括Murdoch, David, and Mick Cooke ,后者在当时表演小号,而且几年之后才正式入队。此张EP在英国流行榜上排到了第59名。
接下来,EP Lazy Line Painter Jane 在七月发行.。这张EP在一个教堂里录制,并邀Monica Queen献声。可惜的是,这张EP差一点就进入了UK榜前40,排到了第41名。1997年的最后一张EP是发行于十月的3.. 6.. 9 Seconds of Light。此EP同时被NME和Melody Maker列为每周一歌,而且一度达到了第32名,因此也成为乐队的首个40大歌曲。
(1998-2002) 在Jeepster厂牌下继续取得成功
1998年专辑 The Boy with the Arab Strap 发行,排到了UK专辑榜的第12名。专辑录制过程中,小号手Mick Cooke被邀正式进队。发行这张专辑不久,乐队就在全音音乐奖(BRIT Awards)上获得最佳新晋乐队奖,打败了竞争对手Steps。接下来乐队又发行了EPThis Is Just a Modern Rock Song。
1999年,乐队主办了他们自己的音乐节,Bowlie Weekender。在乐队开始准备下一张唱片时,Tigermilk也由Jeepster发行了完整版本。新专辑叫做Fold Your Hands Child, You Walk Like a Peasant,这也成为乐队的首张UK榜前10专辑。未收录的一只单曲Legal Man排到了15名,而且也使得他们首次在Top of the Pops中亮相。
随着乐队的知名度在世界范围内的提高,他们的音乐开始频频的出现在电影和电视中。2000 年的一部电影High Fidelity 提到了乐队的名字并且穿插了专辑The Boy with the Arab Strap 中的一首歌Seymour Stein 的片段。开始与2001年的英国剧集Teachers 在许多场景中都用到了他们的音乐,包括主题曲。
Stuart David 不久离开了乐队并开始专注于他的个人计划Looper和他的书籍,后者包括了The Idle Thoughts of a Daydreamer. Stuart David的位置由V-Twin的Bobby Kildea 替代。单曲Jonathan David(Stevie Jackson演唱)于2001年七月发行,紧接着乐队又在九月发行了I'm Waking Up to Us。这首曲子貌似描述了Murdoch和Campbell关系的破裂,但Murdoch 在2006年的专辑The Life Pursuit中的文案里否认了这一点。EP"I'm Waking Up to Us"中,乐队首次起用了海外制作人Mike Hurst。2002年的大部分时间里乐队都在巡演并且录制了一张原声带,Storytelling (由Todd Solondz执导的Storytelling原声). Isobel在2002年北美巡演中途宣布离队。
(2003-至今) Rough Trade厂牌下的发展
乐队在2002年离开Jeepster并签约了Rough Trade Records.。B&S在2003里完成了专辑Dear Catastrophe Waitress,由 Trevor Horn制作。这张专辑与前四张专辑相比,后期制作的成分加重了。一部记录性质的DVD, Fans Only在2003年十月由Jeepster发行,包括了增加的视频,现场片段和未发行的电影剪辑。取自专辑Catastrophe Waitress中的一首Step into My Office, Baby在2003年11月发行,而这将成为他们第一首取自专辑的单曲EP。
I'm a Cuckoo成为取自专辑的第二首单曲, 和以前的那些单曲EP相比,在电台的播放频率大大增加。而这也成为他们排名最高的一首单曲——排到了UK榜的第14名。EPBooks 随之发行, a double A-side single lead by "Wrapped Up in Books" From Dear Catastrophe Waitress and the new "Your Cover's Blown".这张EP成为乐队的第三首TOP20,与此同时,乐队同时被Mercury Music Prize 和Ivor Novello Award提名。2005年一月, B&S在由The List发起的一次投票中被选为苏格兰最伟大的乐队,打败了Simple Minds, Idlewild, Travis, Franz Ferdinand和 The Proclaimers。
2005年四月,乐队成员跟随英国慈善组织War on Want到访了以色列和巴勒斯坦。随后,乐队录制了由此次旅程所激发的一首歌曲The Eighth Station of the Cross Kebab House,而这后来成为2006年发行的一张B-side 专辑Funny Little Frog中的一首歌。.Push Barman to Open Old Wounds, 这是一张于2005年五月由Jeepster发行的单曲EP合辑,当时乐队正在加州录制他们的第七张专辑。The Life Pursuit成为他们的新专辑,由Tony Hoffer担当制作人。在2006年2月发行后,该张专辑成为他们排名最高的一张,UK榜排到第8,美国Billboard 200榜排到第65位。之前发行的Funny Little Frog也成为他们最高的单曲排名歌曲——第13名。
2006年6月,乐团与洛杉矶交响乐团合作,在好莱坞露天剧场进行了一次历史性的表演。18000张门票销售一空,开场暖场乐队是The Shins,该乐队的成员将之看作标志性的事件,用Stevie Jackson的话来讲就是“人生中最震撼的时刻。”
2006年10月,乐团成员参与了一张名为Colours Are Brighter的为孩子们准备的专辑的制作, Franz Ferdinand 和 The Kooks也参与其中。
乐团计划发表一张在1996至2001年表演的Radio One sessions的集结。
个人发展
The Gentle Waves (Isobel Campbell)
Looper (Stuart David)
The Reindeer Section (Richard Colburn, Mick Cooke and Bobby Kildea)
V-Twin (Bobby Kildea)
The Moondials (Stevie Jackson)
分类目录
专辑
Tigermilk (1996)
If You're Feeling Sinister (1996)
The Boy with the Arab Strap (1998)
Fold Your Hands Child, You Walk Like a Peasant (2000)
Storytelling (2002)
Dear Catastrophe Waitress (2003)
The Life Pursuit (2006)
现场专辑
If You're Feeling Sinister: Live at the Barbican (2005)
合集
Lazy Line Painter Jane (boxset) (2000)
Push Barman to Open Old Wounds (2005)
Late Night Tales: Belle & Sebastian (2006)
单曲和EP
Dog on Wheels (1997)
Lazy Line Painter Jane (1997)
3.. 6.. 9 Seconds of Light (1997)
This Is Just a Modern Rock Song (1998)
"Legal Man" (2000)
"Jonathan David" (2001)
"I'm Waking Up to Us" (2001)
"Step into My Office, Baby" (2003)
"I'm a Cuckoo" (2004) Books (2004)
"Cassaco Marron" (2006)
"Funny Little Frog" (2006)
"The Blues Are Still Blue" (2006)
"White Collar Boy" (2006)
其他歌曲收集
"O Come, O Come, Emmanuel" (trad. cover) on the Xfm charity compilation It's A Cool, Cool Christmas, released November 20, 2000 on Jeepster Records
"Final Day" (Young Marble Giants cover) on the Rough Trade 25th-anniversary compilation Stop Me If You Think You've Heard This One Before, released September 23, 2003 on Rough Trade Records
"Poupée de cire, poupée de son" (live Serge Gainsbourg cover) on the Fans Only DVD, released October 20, 2003 on Jeepster Records
"The Eighth Station of the Cross Kebab House" on the War Child charity album Help: A Day in the Life, released September 9, 2005 on Independiente Records
"Cassaco Marron" (Trio Esperança cover) on the Belle & Sebastian-compiled album Late Night Tales: Belle & Sebastian, released on February 27, 2006 on Azuli Records, and as a limited-edition 7-inch vinyl single (b/w David Shrigley's spoken-word piece
"When I Was a Little Girl") released February 13, 2006, also on Azuli
"The Monkeys Are Breaking Out the Zoo," a children's song on the Save the Children charity album Colours Are Brighter, released October 16, 2006 on Rough Trade Records
DVDs
Fans Only(2003)
书籍
Belle & Sebastian: Just a Modern Rock Story by Paul Whitelaw (biography of band featuring contributions From all members, past and present, with a cover designed by Stuart Murdoch), 2005
Put the Book Back on the Shelf: A Belle and Sebastian Anthology (compilation of comics based on individual B&S songs), 2006
原文
History
(1996-1997) Formation and rise
Belle & Sebastian were formed in Glasgow, January 1996, when Stuart Murdoch met bassist Stuart David. Together they recorded some demos with Stow College music professor Pilar Duplack, which were picked up by the college's Music Business course that produces and releases one single each year on the college's label, Electric Honey. As the band had a number of songs already and the label were extremely impressed with the demos, Belle & Sebastian (named after Belle et Sébastien, a children's book by French writer Cécile Aubry) were allowed to record a full-length album: Tigermilk. It was rumoured that "Belle" referred to Isobel (Campbell) and "Sebastian" to Stuart (Murdoch), as they were a couple for several years before Isobel left the band in 2002. However, Stuart Murdoch has said this is untrue.
Tigermilk was recorded in three days and originally only one thousand copies were pressed on vinyl. These original copies now sell for up to £400. By this time, the band had expanded to feature Stevie Jackson (guitar and vocals), Isobel Campbell (cello/vocals), Chris Geddes (keys) and Richard Colburn (drums).
After the success of the debut album, Belle & Sebastian were signed to Jeepster Records in August 1996 and If You're Feeling Sinister, their second album, was released three months later.
Just before the recording of Sinister, Sarah Martin (violin/vocals) joined the band. Following this, in 1997, a series of EPs were released. The first of these was Dog on Wheels, and it contained four demo tracks recorded before the real formation of the band. In fact, the only long-term band members to play on the songs were Murdoch, David, and Mick Cooke, who played trumpet on the EP but would not officially join the band until a few years later. It charted at a modest #59 in the UK singles chart.
The Lazy Line Painter Jane EP followed in July. The track was recorded in a church hall and features vocals From Monica Queen, and narrowly missed out of the UK top 40, peaking at #41. The last of the 1997 EPs was October's 3.. 6.. 9 Seconds of Light. The EP was made Single of the Week in both the NME and Melody Maker and reached #32 in the charts, thus becoming the band's first top 40 single.
(1998-2002) Continued success on Jeepster
1998's The Boy with the Arab Strap album followed, and reached #12 in the UK charts. During the recording of the album long time studio trumpet-player Mick Cooke was asked to join the band as a full member. Shortly after the release of the album the band were awarded with Best Newcomer (for their third album) at the BRIT Awards, beating competition From Steps. The This Is Just a Modern Rock Song EP followed.
In 1999, the band hosted their own festival, the Bowlie Weekender. Tigermilk was also given a full release by Jeepster before the band started work on their next LP. The result was Fold Your Hands Child, You Walk Like a Peasant, which became the band's first top 10 album in the UK. A stand-alone single, "Legal Man", reached #15 and gave them their first appearance on Top of the Pops.
As the band's popularity and recognition was growing worldwide, their music began appearing in films and on television. The UK television series Teachers The 2000 film High Fidelity mentions the band and features a clip From the song "Seymour Stein" From The Boy with the Arab Strap. The UK television series Teachers which began airing in 2001 used Belle & Sebastian's music for several scenes in the show, including the theme music.
Stuart David soon left the band to concentrate on his side-project, Looper, and his book writing, which included his The Idle Thoughts of a Daydreamer. He was replaced by Bobby Kildea of V-Twin. The "Jonathan David" single — sung by Stevie Jackson — was released in June 2001 and was followed by "I'm Waking Up to Us" in November. The latter appears to describe Murdoch's relationship and breakup with Campbell, but Murdoch denied this in the sleeve notes to 2006's The Life Pursuit. "I'm Waking Up to Us" saw the band use an outside producer (Mike Hurst) for the first time. Most of 2002 was spent touring and recording a soundtrack album, Storytelling (for Storytelling by Todd Solondz). Isobel announced her departure From the band midway through their 2002 North American tour.
(2003-present) Rough Trade
The band left Jeepster in 2002 and signed with Rough Trade Records. B&S completed their album Dear Catastrophe Waitress in 2003, produced by Trevor Horn. The album showed a markedly more 'produced' sound compared to their first four LPs. A documentary DVD, Fans Only, was released by Jeepster in October 2003, featuring promotional videos, live clips and unreleased footage. A single From Catastrophe Waitress, "Step into My Office, Baby" followed in November 2003 — it would be their first single/EP taken From an album.
"I'm a Cuckoo" was the second single From the album, and picked up more radio play than any previous single or EP. It achieved their highest chart position yet, reaching #14 in the UK. The Books EP followed, a double A-side single lead by "Wrapped Up in Books" From Dear Catastrophe Waitress and the new "Your Cover's Blown". This EP became the band's third top 20 UK release and the band went on to be nominated for both the Mercury Music Prize and an Ivor Novello Award. In January 2005, B&S was voted Scotland's greatest band in a poll by The List, beating Simple Minds, Idlewild, Travis, Franz Ferdinand, and The Proclaimers, among others.
In April 2005, members of the band visited Israel and the Palestinian territories with the UK charity War on Want; the group subsequently recorded a song inspired by the trip titled "The Eighth Station of the Cross Kebab House", which would later be released as a B-side on 2006's "Funny Little Frog" single. Push Barman to Open Old Wounds, a compilation of the Jeepster singles and EPs, was released in May 2005 while the band were recording their seventh album in California. The result of the sessions was The Life Pursuit, produced by Tony Hoffer. The album became their band's highest charting release to date upon its release in February 2006, peaking at #8 in the UK and #65 on the US Billboard 200. "Funny Little Frog", which preceded it, also proved to be their highest charting single, reaching #13.
On July 6, 2006, the band played a historic show with the Los Angeles Philharmonic at the Hollywood Bowl. The opening act at this 18,000 seat sell-out concert was The Shins. The members of the band see this as a landmark event, with Stevie Jackson describing the gig as "the thrill of a lifetime".
In October 2006, members of the band helped put together a CD collection of new songs for children titled Colours Are Brighter, with the involvement of major bands such as Franz Ferdinand and The Kooks. A more detailed video report From STV is available here.
The group has been planning to release a compilation of their Radio One sessions that they had performed between 1996-2001.
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